In the middle of the night on a mountain road, a man was struck down in a single motorcycle accident. That was the cue.
Aug 21st (Fri) 12:45~ @JMS ASTER PLAZA Grand Hall
The Pan-Pacific and Asia Youth Competition is dedicated to student films and debut works (the director's first film after graduating from an educational institution) produced within the Pan-Pacific and Asian regions. An international jury will determine the Pan-Pacific and Asia Youth Grand Prix. At HAS 2026, we are pleased to introduce 12 officially selected works for the Pan-Pacific and Asia Youth Competition.
Gest: Masataka Kihara, Wong Wan Yau, Mian Ijlal Ahmad, Haruya Kageyama, Zhuang Yu-jin, Kate Renshaw-Lewis, Esther Son, Laurence Thérien, Sam KUWA
MC: Yuki Arai
In the middle of the night on a mountain road, a man was struck down in a single motorcycle accident. That was the cue.
Born in 2000 in Tokyo.
Completed a Master’s degree in Design at Tama Art University Graduate School in 2025.
Specializing in rotoscoping—a technique of tracing over live-action footage—they create animated short films.In principle, they also compose the original music for their own works.
Sometimes we hope to be understood by others, wishing that someone might step into our inner world.
In this animation, the main character has been waiting for a long time for someone to visit his zoo. When the zoo remains deserted, he decides to organize an open day and begins a series of small publicity efforts, hoping to gently break the silence.
Wong Wan Yau, an animation filmmaker from Hong Kong.
She creates hand-drawn 2D animations inspired by quiet moments, gentle loneliness, and the small happiness found in ordinary days.
A gaggle of forest sprites mingle and cavort at the local watering hole, so to speak.
Sarah Ruyle is an animator, illustrator and minecraft player from Southern California. She is currently pursuing her masters in experimental animation from Calarts.
A young delivery rider navigates a tough day in the city, enduring many struggles but gets through it all thanks to his mother's support.
Mian Ijlal Ahmad is a filmmaker/animator aspiring to make films rooted in the culture of the city he was born in and grew up in, Peshawar. Recently he graduated from National College of Arts Lahore with a Bachelors in Film And Television. Currently he is setting up a studio in his hometown, trying to make animated films that celebrate local narratives.
An animated short film that traces fragments of childhood memories and emotions, depicting the vividness and lingering resonance of bygone days. Through intricate linework and a nostalgic atmosphere, the work expresses the sensation of how ordinary moments remain etched in the heart.
Currently enrolled in the Graduate School of Arts at Hiroshima City University. Focuses on video production, primarily in animation. Explores visual expressions utilizing intricate linework, centered on themes of nostalgia, lingering resonance, and the fluctuations of human emotion.
A road home from work stretches from the bustling city alleys to a desolate industrial road, passing through a railway crossing along the way. As I cross the tracks, the thick fog rolling in makes me contemplate the end of life and a deep reverence for the living beings of nature. Here, there is a polluted environment, yet also the human soul that dwells within it.
Graduated from the Tainan National University of the Arts. The first independent animated work, Bad Kids, was selected for the 2024 Golden Harvest Awards and the Golden Horse Awards short film competition. Drawing from personal experiences, works focus on themes such as education, growth, and the subtle emotions and details within everyday surroundings.
From emptiness, a gentle breeze stirs, gathering grasses and leaves to form a creature. Grass turns to feathers, leaves to body. As It catch sight of itself, the world echoes into being, stirred by the wind. Feeling others, It is felt in return, in a rhythm where all boundaries blur into a seamless dance of harmony...
Born in 2001, studying Animation at Taipei University of the Arts. Due to her love for the texture and warmth of handcrafted work, she primarily focuses on stop-motion animation and hand-drawn techniques.
Busy Bodies is a hand-drawn animation that combines inkjet and screen printing techniques. Inspired by Rube Goldberg machines, the film explores the hidden production process of disposable objects. The printed image sequences of the film progressively deteriorate as they cycle, visualizing the destructive nature of the supply chain.
Kate Renshaw-Lewis is a filmmaker and artist specializing in hand-drawn animation. She was born in England, raised in New Jersey, and currently resides in Los Angeles. She moved to Southern California to attend CalArts, where she gained her BFA in experimental animation. Her films have screened worldwide and gained recognition from festivals such as Sundance and Slamdance.
Immature is an animated documentary that explores the fluidity and complexity of gender identity. The film delves into the evolving experiences of a transgender gay man, capturing the nuances of his self-exploration.
Eddy Wu is a Taiwanese animation filmmaker and 3D motion designer based in the Netherlands, working across both commercial and independent animation. His work blends documentary storytelling with symbolic 3D visuals to explore themes of identity, vulnerability, and unspoken emotions through intimate, personal narratives.
A timid, bookworm girl begins to notice a boy. As she steps outside her shell, her blush deepens into a sunburn.
Esther Son is a filmmaker and 3D animator from Busan, South Korea. She received her BFA in Printmaking and Photography from the School of the Art Institute of Chicago in 2019, and her MFA in Animation from the Savannah College of Art and Design in 2025.
Life throws curveballs whether you’re ready or not. Trapped in an elementary school gym class, a girl navigates a ball game by adapting, while all she ever wanted was to belong.
Laurence Thérien is a Montréal-based artist, designer, and animator with a focus on materiality and claymation. She completed a Master’s in Animation at the Royal College of Art (2025), where she directed her graduate film Ball Face. Laurence has collaborated as a creative director with the National Film Board of Canada (NFB) and the Festival International du Film sur l’Art (FIFA). She is currently developing her next film with the NFB.
The boy takes the knife his father once gave him. Did what followed make him a “man”?
Born in 1996 in Chongqing, China. Graduated from the Department of Animation at Tokyo Polytechnic University and completed a Master’s degree in Animation at the Graduate School of Film and New Media, Tokyo University of the Arts. Currently creates animations that blend analog techniques with VR technology.